The Seagram's Escapes BOB 94.9 Birthday Bash Line-Up


The Seagram's BOB 94.9 Birthday Bash Hosted By Joe Nichols and Newman!

Hosted By Joe Nichols

Joe Nichols has been a mainstay of country music for two decades, bridging the gap between the genre's old-school roots and contemporary era. He's a 21st century traditionalist — an artist who's both timely and timeless, racking up a half-dozen Number 1 singles and ten Top 10 hits with a sound that honors his heroes. From his first radio smash, 2002's "The Impossible," to 2021's Home Run," Nichols has proudly done things his own way, blurring the boundaries between country music's past and present along the way.

It's an approach that has earned Nichols multi-platinum success, three Grammy nominations, a CMA award, an ACM trophy, and — perhaps most importantly — the support of his idols. He still remembers the day he received a letter from Buck Owens, who passed away the same week his message arrived in Nichols' mailbox.

The two had previously crossed paths in Bakersfield, California, where Owens complimented Nichols on his classic sound… and gave him some good-natured teasing about the length of his hair.

"He wrote me the day before he died," remembers Nichols, who was still riding high on the success of his gold-selling fourth album, III, and its chart-topping single "Tequila Makes Her Clothes Fall Off." "It was so nice of him to do that. He said, 'I'm really proud of you. I love the way you're keeping it country. And thank you for cutting that daggum hair!' An honor like that is irreplaceable. It's got nothing to do with winning awards or having your songs on the radio. It's much more than that. It's the kind of thing you pass down to your grandkids."

For Nichols — an Arkansas native who grew up listening to icons like George Strait, Merle Haggard, George Jones, and Buck Owens — keeping things country has been raditionalist country and modern twang with follow-up records like Real Things...

2022 BOB 94.9 Birthday Bash Line-Up

JAMESON RODGERS

Jameson Rodgers

If Jameson Rodgers has said it once, he has said it a thousand times - it’s hard being anything that you are not. And there are a few things that the singer/songwriter from Batesville, Mississippi is definitely not.

He’s not one to shine too bright or speak too loudly. He’s not the guy that craves the spotlight or vies for too much attention. He’s not one to boast and he’s not one to brag, and he certainly has never been that guy who thought he deserved any sort of stardom to come his way.

But here we are.

“God has opened so many doors in my life that have no explanation other than God to me. The stars that had to align to make all of this happen? It just doesn’t happen.”

Today, as Rodgers finds himself continuing to enjoy the success of his Platinum-certified No. 1 hit “Some Girls” and his follow-up smash “Cold Beer Calling My Name” featuring label mate Luke Combs, the 33-year-old with the long stare and the slight smile finds himself in uncharted territory, a place where his artistry seems to be growing by the second and his authenticity is growing a fanbase of people craving someone to speak their truth in the span of a three minute song. And suddenly, the shy guy that used to stare at him in the mirror is turning into a confident guy starting to believe in himself and his talent.

“It took 1,000 shows and 1,000 songs, but it happened.”

Granted, as a kid growing up on the farms and fields of his small hometown, Rodgers tended to keep his head down for the most part, only raising it to snag a stream of baseballs screeching towards him as an aspiring infielder. While he would play throughout high school and college, he never truly believed in himself and his abilities that others couldn’t help but praise. “I was always scared to mess up. I’ve never admitted that before, but it was true.”

It’s this same, ‘not enough’ feeling that Rodgers would soon wrestle with as he travelled the 269 miles from his hometown to Music City in 2010, all the time feeling the stares of those who doubted him. And with just ten songs under his belt at the time, some of that doubt was his own. Nevertheless, Rodgers persevered, knowing that songwriting just might be the outlet this shy kid from small town Mississippi craved. “I realized I could say stuff in a song that I would never be comfortable saying to another person in a sentence.”

Rodgers laid down his first month of rent on a tiny apartment he found in the Bellevue neighborhood in Nashville, and began to Google open mic nights in an effort to get some much-needed experience under his belt. It was at those open mic nights that he met people like Michael Hardy and Hunter Phelps and Brandon Lay, all who found themselves joining him in the trenches in pursuit of something more than what they had always known.

Soon, he was doing shows for handfuls of people for $200, while off the stage, he would watch others like him vying to become better songwriters, better guitar players, better artists. He started getting asked for co-writes and in 2014, he landed a publishing deal with Combustion Music.

The tide began to turn.

Rodgers co-penned Platinum-selling hits for Florida Georgia Line (Top 10 single “Talk You Out of It”) and Chris Lane (No. 1 smash “I Don’t Know About You”), along with “Camouflage Hat” on Jason Aldean’s most recent album 9 and the title track of Luke Bryan’s latest release Born Here Live Here Die Here. Luke Combs came a-calling, and in 2019, Rodgers found himself in arenas of screaming fans, barely before he even had his own hit on country radio.

Soon the song that he couldn’t get out of his head, the song that others had toyed with but never cut, the song that had given all it could, gave Rodgers his first clear chance at solo stardom. “Some Girls” would go on to be the first of only two solo male debut singles to reach the top of the charts in 2020.

And it’s “Some Girls” and “Cold Beer Calling My Name” that now serve as the firm foundation for Rodgers’ new EP titled In It for the Money, a project partly created in a little cabin just east of Nashville, where Rodgers holed up with some of this favorite songwriters, taking bits and pieces of their collective truths and putting together a project in which a shy guy speaks loud about life and love and lessons learned.

“Good Dogs” serves as the macho ode to man’s best friend. “When You Think of Mississippi” serves as a nostalgic trip down the dirt roads of Rodgers’ life. “Rolling Rock, Rolling Stones” is a song meant to be played on the dingy jukebox in the corner of that dingy bar down your street and “Desert” is meant to be played to soothe the hurting soul. And the title track, well, it proclaims Rodgers’ ultimate truth.

“I would do this forever, for a just-getting-by salary. It’s just something in your heart. It makes you happy. I literally look forward to waking up every day and getting to write a song or play a show. I just can’t imagine doing anything else in life.”

He suddenly lets a smile sneak out from under his cap.

“My purpose that I know right now is that I want to leave the world a better place than I found it. And the best chance I have of doing that is writing and singing songs.”

JACKSON DEAN

Jackson Dean

Odenton, Maryland native Jackson Dean is a singer/ songwriter known for his old school, gritty style of Country. Mature beyond his years, Jackson has a daring and carefree spirit, having moved out at 18 years old to live in a cinderblock, concrete floor, one-room shack on the back of his grandfather’s property with no heat and no plumbing. Bringing that same sense of adventure to his songwriting, Jackson writes both independently and alongside outliers like Luke Dick, classic writers like Casey Beathard and everyone in between. Gearing up for his debut collection to be released via Big Machine Records this year, Jackson shows people how real music can be as he captures the reality of the life he has lived. Following an early career of local performances in his hometown, Jackson has joined bills with artists such as Kane Brown, Jake Owen and Brothers Osborne.

Kameron MarlowePhoto: Chris Hollo / Hollo Photographic


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